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Volume IV - Issue VIII
August 2008
Covering the Interests of Boomers in Western Montana
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Roadside Chats: Sean Kochel

The elementals of beekeeping, agricultural bounty, and Montana pride.

Tied with pork for number three on the list of Montana’s most viable cash crops, honey is perhaps the state’s most underappreciated item of agricultural bounty. Furthermore, there are approximately 200 registered beekeepers in Montana, with 86 of those classified as commercial ones.

While commercial beekeepers are certainly an eclectic bunch, perhaps none of them is as ardent or passionate about apiary work or agricultural self-determination as Sean Kochel.

“I don’t understand why here in Montana we can’t be self-sustaining enough to have our own grocery supply and produce it on a year-round basis,” says Kochel, of Shelby, MT.

“Why should we depend on other markets? We have the technology and the know-how. We should increase our own quality of life first, and take care of ourselves the best we can, and then export to other markets. I’d like to see Montana be more independent.”

Ten years ago, Sean and his dad, Larry, had their first conversation about starting a beekeeping operation together. Maybe we could just do it as a hobby, they thought.


The idea stagnated until 2004, when Sean, who had been working six months out of the year as an Alaskan oil rig worker, decided he wanted a change of pace in his life.

“After working in Alaska for five years,” says Sean, “for two weeks on, two off, I was done. I didn’t want to go back. I figured that we could do it as a commercial business, and, you know, have fun, be out in nature, and not have anybody to boss us around.”

After Sean bought a few small bee businesses and did the research required to be able to understand the physical and constitutional characteristics of bees, Kochel Apiaries was formed.

“I started out with a beekeeping suit and a smoker, and second-hand holding tanks and processing equipment.”

Since then, for Sean, life has been up and down, top-notch and woeful. Larry Kochel died in 2004, at age 63, of a brain tumor, leaving his son dispirited by the indiscriminate tragedy. Nonetheless, Sean is still invigorated by the fond memories of the time he shared with his dad.

“Dad was really a great man,” says Sean. “He said something, and he kept his word. When he said something, he really meant it. There were no contradictions with him. That’s how I want to be.”

Sean owns property in Potomac, and he has expanded his business to include everything from woodworking products and beeswax candles, to cigar-box guitars and lip balms.

“I don’t want to go back to the bad jobs,” says Sean, “so I put my heart into my work. And if I’m going to put my heart into something, then it’s going to be to make my own dreams come true.”

These days, Sean splits time between Shelby and Potomac, and he finds the Missoula’s Farmer’s Market to be a valuable marketplace to sell his merchandise. He also finds the art of beekeeping for honey a tactful one.

Most beekeepers in Montana are migratory. There are about 36 of them who travel to California, Oregon, Washington, and elsewhere, to provide pollination services to almond, pear, peach, orange, and apple crop farms. But, Sean has little or no interest in such activity. Raw honey is where his heart is at.

“Honey,” says Kochel, “to most beekeepers, is a real big pain in the butt. Here’s how the beekeeping industry in the state works: the majority take their beehives to pollinate somewhere else. Eighty percent of all fruit seeds and vegetable crops in the United States are pollinated by bees, so there’s money to be made in beekeeping, as part of the migratory pollination.

“But I’m more interested in raw honey, though. Since 1941 the number of beekeepers has dropped. I guess I have a fondness for nostalgic things.”


Now some basics about the unique endowment of bees: In the course of her lifetime, a worker bee produces 1/12th of a teaspoon of honey. To make one pound of honey, workers in a hive fly 55,000 miles and tap two million flowers. A single hive contains approximately 40-45,000 bees. Honeybees are social insects living in large colonies, which can range from 20,000 to 80,000 in number. The average Montana hive, on a good year, will produce about 85-100 pounds of honey. At peak, 30,000-50,000 bees swarm your ordinary Montana hive.

Sean says that most of the honey that is bought and sold in chain grocery stores has nearly no health benefit because it isn’t raw. Most store bought honey is heated somewhere along the line, killing the enzymes that help food digestion and rendering ineffectual the pollens naturally suspended within. Similar to broccoli and garlic, raw honey is a food to be marveled over.

“Raw honey does the body good,” says Sean. “It’s loaded with antioxidants. It’s the only food on earth that has all the nutrients to sustain life, including water. You could live purely off of honey if you needed to.

“Raw is a whole lot better than refined sugar coming from a container imported from China, that’s only one percent honey, and the rest corn syrup. It’s a night and day difference.”

In the state of Montana, it’s hard to get sole or exclusive control of any given beekeeping area, says Sean. That’s because state law dictates where one can start an operation; in some cases, a three mile separation is mandated to ensure privacy and safety.

“Some bee lands are passed down from generation to generation. In order to have a beekeeping area, you need to have water and food sources, and it needs to be accessible. It’s taken me years of strategic placing to create a boundary to protect the good spots up in Toole and Liberty counties.”

Honey production starts early in the day, and warm weather in the mornings is most conducive to strong output. At higher elevations, bees tend to perform better and work more efficiently in shorter periods.

“They say for a good honey production or crop,” says Sean, “that the bees need to work six hours a day.”

Bee harvesting season starts in March, and, as the circle of life would have it, the insects need ample amounts of their own produce to survive through the surly winter months.

“I winter my bees in Montana,” says Sean. “I don’t migrate them to California. I might have extra honey, but I can’t use it because the bees need to winter on it. I need to save, per colony, about one hundred pounds of honey.”

Off season and down time allow Sean to dabble in other tasks, including the building of cigar box fiddles, a jocular throwback to Civil War times.

“I’ve always wanted to build guitars,” says Sean. “I built a four-string tenor guitar and got a couple of chords out of it. But I was too embarrassed to sell them. My mom and sister went to the market, and they did it for me. Mom sold one and said ‘I’d make more if I were you.’

“They are cheesy, but people seem to like them. People say to me all the time, ‘what an original idea.’ It’s really not an original idea. It’s an old idea being updated.”

In fact, the earliest proof of a cigar box instrument comes from an engraved image of two soldiers at a campsite. Some blues guitarists will still pick up the cigar box guitar when they want to imitate Delta Blues in its purest, most primal sounding form.

This is Sean’s first year as a permanent vendor at the Missoula Farmer’s Market. Not surprisingly, the weekly revenue he generates in densely peopled Missoula consistently outnumbers his sparse Hi-Line sales of seasons past.

“I see more people in a day in Missoula then I do the whole season in the markets up there. In Shelby, you may have 12 booths and 50 people strolling through on a weekend, if you’re lucky.”

Whether he is working at harvesting wheat in Shelby or just schmoozing as a retailer at Missoula’s hip Saturday emporium, Sean no longer takes his life experiences for granted.

“I used to be embarrassed of being from Montana,” says Sean. “When I went away I realized how good things are here. Montana should be prouder of what it has and what it is.”

For more information, visit www. kochelapiaries.com.

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Mission Mountain Joinery

Drawing from experience and observation, craftsman Andrew Maisel constructs unique styles of furniture steeped in history.

Andrew Maisel’s dignified craftsmanship is infused with his spirit of emotional, visual, and sensual empathy. During the creation process, he draws from his own expectations, abilities, and experiences, as well as from literature and observation, to create structural, technical, and decorative solutions for specific design needs.

For Maisel, integrity, stability, and grace aren’t hollow words to be frivolously tossed around in order to impress clients into thinking he’s a worthy craftsman, but rather they are inextricably linked components, part and parcel of his ethical codes of the road.

Woodworking isn’t simply his occupation; it’s the root of his physical and intellectual substructure, the pedestal of his genealogical ancestry, and the place where his heart lies.

With extensive knowledge of furniture design from contrasting periods, Maisel takes a scholarly approach to his craft. Indeed, he is a wholehearted traditionalist who can talk you through a timeline of furniture building, explaining the design attributes and idiosyncrasies of various styles––from Chippendale to Shaker, from William and Mary to colonial American Queen Anne. In fact, there’s an authenticity to handcrafted furniture that Maisel believes to be eternal.

“As our community continually seems to become disappointed with mass-produced and mass-marketed goods,” says Maisel, “handcrafted arts and crafts surge, offering true value and timelessness.

“As opposed to a lot of contemporary work, where the consumer is disappointed with what they’re bringing home and what they’re getting out of their furniture, handcrafted pieces generally appreciate in value and esteem over time.”

Shaker and Chippendale are the two most popular design styles that inspire Maisel’s authentic reproductions.

The Shakers were a Protestant denomination that originated in Manchester, England, in the early 1770s. They moved their founding nine-person group to New York in 1774.

To the Shaker woodworker, the client was the entire community, and Shaker furniture is still widely admired for its functionality, naturalness, and innovative joinery. With designs prompted by the abstemious religious beliefs of their sect, Shakers made furniture for their own use, in addition to selling it to the general public.

“The furniture design elements of the Shakers are very unique,” says Maisel. “They would instill the values of their beliefs into the building of their furniture. Lately those design elements have become very popular and more valuable––and it seems that, consequently, Shaker style has been butchered, misrepresented, and overused for marketing purposes.”

Of all the names identified with antique furniture, Chippendale style—which heavily influenced American furniture until the late 1700s—is perhaps the most widely recognized. Distinguished by its exquisite and extensive representation, and for its depth and carving detail, its namesake is Thomas Chippendale, an 18th-century cabinetmaker whose furnishings matched the popular English tastes of the period, consolidating various motifs.

“The challenging part for me has been being able to explain what’s unique about what I do,” says Maisel. “It’s harder to explain in Montana because traditional furniture didn’t actually exist here. These methods predate Montana’s settlement.”

Tradition, function, and specific directives all dictate the way a craftsman might choose to design a specific piece. While often thought of as a creative endeavor, design is also rooted in reality and involves the craftsman’s training, which often has a traditional bias; while in high school in Baltimore, Maryland, Maisel apprenticed under a hard-working traditionalist named Neil Schlag.

“I learned the visuals and history of woodworking from Neil. My work is inspired by a period in which elegance was achieved through simplicity and utilitarian ends, incorporating both balance and grace,” Maisel says, as he deftly and demonstratively disassembles and reassembles a cabinet draw.

In fact, Maisel’s eyes move perpetually, scanning the pieces of furniture he’s working on as if trying to keep up with the briskly accelerating pace of a tennis match. They understand that the placement of a component within a piece of furniture is intentional—never coincidental. They see proportion, size, and style contrasts in everything from rabbeted drawers to knobs. Then they ogle the configuration and texture of the grain in the lumber, the joinery and how it’s attached, and the overall structural strength of the product, as well as the energy and force of its entire weight.

“There are different levels of depth in the wood—let your eyes travel it,” says Maisel. “I prefer proportions that encourage visual exploration so that one’s eyes travel the various lines and intersections that comprise the whole. The journey of the design is demonstrated visually so that the viewer not only experiences the beauty of the wood, but also the delicate balance of each piece joined to another.”

While lovingly romanticizing notions of woodworking, most folks flirt with fanciful ideas of peacefulness and placid self-reliance, not the arduous adherence to quality and single-minded preoccupation comprising a significant part of the nature of such work.

“Typically, for me, it’s one piece at a time because any more is too distracting,” says Maisel, who exhibits the collection of his great-grandfather’s molding planes—rough-hewn hand tools used to create grooves in wood—on a wall in his shop.

For Maisel, worshipping the work of his own hands is beneficial, and he says that a widespread misconception still exists: that the use of hand tools in furniture production will always result in an inferior or scarred surface. Plus, he says, hand tools are far more precise than machinery.

“For example, dovetailing is now created by machinery with a router and a guide and a small bit, and it creates inelegant shapes that are all symmetrical,” he says. “Machinery may be functional, quick and fast, but when done by hand, each dovetail is unique and superior in that the draws are finer, and not as crude. Doing things by hand can be arduous and laborious and requires greater focus. It takes more learning to use the hand tools.”

Maisel, who founded Mission Mountain Joinery three years ago, sees his own furniture as family heirlooms to be handed down from generation to generation. Dwarfed by a tall built-in piece of Shaker-style furniture nearing completion, envisaging the brisk passage of time, he muses about the sturdiness of the final reproduction and its timeless physical and aesthetic components.

“Maybe two hundred years from now the owner will wonder about who created it. It’ll still be around then. See, this is my chance to continually leave something behind. This is my legacy.”

For more information, visit www.missionmountainjoinery.com.

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Art Beat of Missoula: Ram Murphy

Photographer seizes spirit of the subcontinent

With more than one billion citizens, India is the largest democracy in the world. At least 10,000 years old, it’s a congested country of constant gesticulation, a kinetic ebb and flow of human activity and impulse, an ancient living and breathing civilization.

Due to its inclination towards hustle and movement, photographing the subcontinent can be a great challenge. And that’s still the case even if you’ve made a focal point out of it, the way that Ram Murphy has.

“With photography,” says Murphy, “you’re trying to freeze time. And India is a place that’s always moving. That’s part of the fun of it.”

Comprising 25 states and 7 union territories, India offers Murphy photographic opportunities as vast, vivacious, and mysterious as the Taj Mahal: elusive leopards, wading water buffaloes, lethargic cows meandering amongst the people, and hectic construction zones looking like bombed out wastelands.

From snapshots of women fasting on an open balcony, gazing at the symbolic moon signalizing the end of a spiritual cleanse, to an old, blind man living in a box, paradoxically appearing cheerful, intelligent, and industrious, Murphy’s photography is firm in its adherence to capturing the innumerable joys and simplicities of day-to-day street life.

“The beautiful thing about photography,” says Murphy, “you get to see India through the eyes of someone that loves it, but is still amazed by it. I don’t just want one picture that says it all; I want pictures to be part of the entire culture.”

Murphy has been traveling to India since the mid-1990s, but his connection to it runs much deeper.

“My mother is from India,” says Murphy. “I promised my aunt that I’d take her ashes to the Ganges when she passed away. I found and wrote relatives, and I got a ton of correspondence back. When you go to the Ganges, you find a specific person who has recorded your entire family history, back to the time people first came over the Khyber Pass. There were handwritten entries from my entire family. It was very moving.

“So I was given a double upbringing,” continues Murphy, born in San Francisco, the product of a Hindu-Indian and Irish-Catholic marriage. “It’s funny, when I had to check into Catholic schools as a boy, they all wanted me to have a Christian name, and I didn’t.”

The second most populous nation in the world, India, at first, seemed so vast and mystifying to Murphy.

“I couldn’t get over the fact of a billion people. I knew it was crowded, but, I thought, ‘heck, so was San Francisco.’ But, wow, there were so many people, so much nature, and so much culture.

“It took me a little while to bring the camera out to take pictures, because I was a little overwhelmed. In the whole city it seemed hard to pick out anything that wasn’t crumbling, just a mass of humanity, dust and bricks. Later, you start to see the order, but, at first, it’s confusion.”

No matter how prepared one is to see sacred cows in the streets, their universal presence is but a bit startling.

“There’s little to prepare you for living with cows,” says Murphy. “I mean, any door that’s open, cows will walk in. It doesn’t bother Indians. It’s like us talking about seeing fox squirrels.”

By immersing himself in the nuances of the country’s community rituals, venerable ceremonies, and Hindu cultural rites-of-passage, Murphy has managed to capture both the wisdom and antiquity of the Indian experience.

“People in India love to have their pictures taken,” says Murphy. “I’ve only been told once or twice not to. Most of the time, it’s encouraged.”

In fact, one of Murphy’s most interesting shots is of a military officer who took the time to pose; he is protecting the parameters of an art show. With his rifle draped over a set of neck-high sandbags, the man looks at once strong and intimidating, unaggressive and dainty. Indeed, Murphy’s photos, whether staged or spontaneous, solicited or unposed, all seem to share the common thread of human ennoblement.

Whether it’s a woman covered from head to toe in black, save prominent red shoes, or children stacked far and deep on the back of a beat-up pickup truck, or a smiling man at the bottom of a well, the tender position of humanity is appreciated, if not elevated.

“There was a great spirit and smile at the bottom of that well,” recalls Murphy, flipping through prints on the front desk at the Kendahl Jubb Gallery.

“That’s the thing, you get these weird juxtapositions in India. I’ve tried to put them together to see the whole story, the whole culture. I love this guy, too.”

Murphy flashes a photo of a noble-looking old man, camel in tow, on a city street, very much looking the part of an ancient man meeting the demands of the modern world.

“Here’s this guy,” says Murphy, “with all the traffic and the honking, and the computer stores down the street, looking like a 16th century gentleman surviving among 21st century businesses. There are so many levels to life there.”

In the minds of many, perhaps even most, Americans, India is nothing more than a punchline for crude jokes, a sort of crude cliché of foreign accents and unassimilable customs. Even though it’s the country that invented chess and originally developed the studies of algebra, trigonometry and calculus, to the United States, India remains relatively disregarded.

“There’s a prejudice against India here,” says Murphy. “Apparently, many people associate an entire country with a bad experience they’ve had with a call center.”

Although he finds the travel experience thrilling, Murphy’s fondness for India shouldn’t be misunderstood as some type of chimerical longing to live there. His ecstatic junkets, of which there have been four, have spanned in length from six to nine weeks.

“I’m glad to come home,” says Murphy. “Glad to have survived.”

“But, it’s strange, because soon India starts to eat on you: the antiquity, the history, the sincerity, the incredible diversity of people and culture. Then, three or four months later, you’re planning your next trip.”

Despite the fact that while in India he has snapped more than 7,000 photographs of people, social conditions, topography, and wildlife, Murphy is more apt to talk about the choice shot that never happened, the elegant instant unattained.


“Man, I didn’t have my camera one time, when this guy on the back of a motorcycle went by carrying this gigantic pig. Another time, there was this guy on the back of a rickshaw, and he was holding two goats on his shoulders, as if they were his children. Those are the types of photos I love. The ones you don’t often see.”

Perhaps in the future, Murphy will try to be quicker on the click, or perhaps he now verily accepts India’s unremitting movement and continual maneuvering as one of the terrain’s many truths.

“In India,” says Murphy, “for every picture that you take, there are five more that you miss.”

For more information about Ram Murphy’s photography, visit www.kendahljanjubb.com.

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Ag Beat: Profitable Produce

With fuel and transportation prices at an all-time high, the demand for locally grown produce has never been stronger. But for a Victor couple that’s spent a quarter century growing vegetables for their community, the reason for their current success isn’t so simple.

Luci Brieger and Steve Elliott of Lifeline Farms have built an incredibly diverse farm on about 40 acres west of Victor, growing just about every vegetable imaginable and punctuating their bounty with fruits like raspberries and strawberries. In 25 years of growing produce and selling it to a grateful and growing Missoula market, they’ve never experienced a stronger demand for their produce than now.

“It’s true there’s a cultural shift going on, but it’s hard to know its effect because so many things have happened at once,” Brieger said. “We’re seeing spectacularly huge crowds at our farmers market, but we can’t say why.”

One of the reasons, Brieger suspects, is the media’s recent embrace of the local food movement, something she and her husband have been a part of for more than half their lives. She cites Barbara Kinsolver’s successful book “Animal, Vegetable, Miracle,” and Michael Pollan’s best sellers “Ominivore’s Dilemma” and “In Defense of Food,” as examples of America’s hunger for fresh, local food. And “everywhere you turn,” she said, “there are news stories about childhood obesity.”

“All these things are leading to a cultural food shift nationwide,” she said,” but whether that’s what we’re seeing now locally is hard to say. It may just be that the cold weather we had set people’s gardens back, so they’re going to farmers market right now.”

Elliott, who was out of town at a friend’s wedding at the time of the interview, has his own theory, Brieger said.

“Steve believes there’s an alienation in our culture, and that food is one thing that allows us to feel authenticity. Every step along the way – growing it, preparing it, and eating it – food offers an authentic experience to people. It’s one thing people can relate to.”

Authentic lifestyle

Recognized by their adoring farmers market fans for their affable demeanor, sun-burnt smiles and exceptional produce, Brieger and Elliott have succeeded in bucking both a national and regional trend. They began farming in the early 1980s on the heels of a national farm crisis in a county that would see a significant loss of farm land over the following three decades.

After paying off a farm debt accrued by previous farming partners on leased land, the couple bought their own farm land in 1993. Twice they’ve added to their acreage by buying adjacent parcels, and each year they buy new farm equipment to meet the needs of a thriving and profitable agriculture operation.Currently they grow vegetables intensively on about eight acres and have 15 acres of irrigated pasture and hay ground. They raise about 50 sheep, two or three cows, several dozen chickens and a couple of pigs. They also have three children – Fisher, Wendell and Allie – in the Victor schools, and they’ve spent considerable time and effort working toward sustainability in every facet of their lives.“We’ve been conscious of non-sustainable fuel use from the beginning, and we switched to biodiesel three years ago in our tractors and car,” Brieger said. “We have a solar electric grid-tie system for our farm and solar water heating in our home. We’ve always been careful to consolidate trips to town to minimize fuel use. So, sadly, there’s not a lot more we could do to lessen our fuel consumption.”

Local versus industrial food


Because Missoula is the primary outlet for their produce, and because locavores crave their veggies round the clock, Elliott and Brieger deliver to the Garden City three times a week, which is a big drain on their resources. Their biggest outlet, by far, is the Good Food Store, whose recent success has paralleled their own. And the Saturday Farmers Market continues to be the single best way for them to market their produce directly to the consumer.


“Michael Pollan, in ‘Omnivore’s Dilemma’ makes the case that paying a little more at the Farmers Market really saves you money in the long run,” she said. “First, the food is better for you because it’s so fresh, and second, you don’t waste as much because you only buy what you need. So I really think people’s knowledge of (the value of farmers markets) is improving.”

Such locally and regionally oriented food shopping goes against what the giant food corporations and USDA are promoting, Brieger said.

“We have an industrial food system based on subsidies to feed crops like corn and soy beans and to the cows that feed on them,” she said. “The result is people are eating foods with high-fructose corn syrup that’s not good for them, and our nation’s health is suffering.


“People instead should eat plants that are good for their bodies. The problem is apples, carrots and peas don’t have advocates at the nation level.”


Brieger hopes that the current high fuel prices will eventually make people’s lives better because the corn-syrup based processed food will become more expensive.


“Until junk food becomes expensive, then people’s diets won’t change,” she said.

The future of farming


In the 25 years she’s been farming, the challenges to making it as a truck farmer in the Bitterroot Valley have changed, Brieger said.

“In the old days, the challenge besides weather and our own stupidity was the market,” she said. “That challenge has disappeared for us and probably for other growers too. The Good Food Store needs and would buy three or four times what we grow. They need three or four more Lifeline Farms.”


Though a growing market now means that farms like Lifeline will sell everything they grow at a good price, Brieger still worries about the future of agriculture in western Montana.

“I’m concerned about how young farmers will get started,” she said. “Land prices are not based on how productive the land is; they’re based on speculation and development.”

Brieger said that models exist for communities to buy farm land and train young farmers, but she doesn’t see the Bitterroot community making strides in that direction.

“I’m happy we passed the open lands bond, but we’re not where we need to be on training farmers and making equipment available,” she said. “Our apprentices come and work here and leave overwhelmed about how they could ever afford to start a farm.”


Brieger believes that, as a community, we need to identify our best irrigated farm land and protect it – not at the expense of the land owners. That land, she said, should then be made available to local growers.


“We can’t count on Mexico, China or even California to provide our food,” she said. “We need to make sure we’ve got farmers locally who can produce it.”

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Galli’s Corner:
“Fishing’s Still Good ”………

What can I say? Now that the water levels have dropped fishing overall has been excellent. Western Montana is definitely living up to the reputation of being one of the best dry fly fishing places in the west. In our shop business traffic was slow in May, significantly improved in June, and even with gas prices and the slow economy, July has been very busy. It is a fact that once people have had the “Montana Experience” they can’t resist returning.

We have had many customers call, discuss the conditions, tell us they can’t make it this year, and a few weeks later, call back to confirm their trip. We are looking forward to a wonderful summer and fall in the Bitterroot Valley.

We have agencies predicting what our summer weather is going to be, and, unfortunately, or fortunately, they never seem to be right. I am predicting we will have a summer with no river closures due to high water temperatures; we will have sufficient water flows to support our fisheries thru-out the year; and 2008 will go down as a banner year for Montana fishing. Outfitters and guides are required to be trained in first aid and most of them have medical CPR training. What I am suggesting, is that everyone who fishes our waters think about supporting our non-medical CPR program which is …… ”CATCH, PICTURE, and RELEASE”. If you really need a fish to eat, and the regulations for the district you are fishing in allow it, then do it. Otherwise, please practice CPR.

As I have already stated, our fishing has, and, I predict, will continue to be good. What we have been experiencing is excellent hatches and fish response. Golden Stones, Bitterroot Stones, Pale Morning Duns, Blue Wing Olives, Yellow Sallies, Grass Hoppers, it goes on.

If I were setting up a fly box for the summer it would contain: for dry flies, Golden Stones, Madam X, Yellow Sally, Blue Wing Olives, Grey-Brown-Green Drakes, the same in cripples, Grass Hoppers, Purple Haze, Yellow-Red-Grey-Royal Humpies, Wulfs in Royal, Yellow, Grey, Stimulators in all colors, and I can continue.

The point is that if we purchased all flies recommended by the media we couldn’t afford to fish. Check with the local shops, get their local current updated reports on hatches and what’s working and when, buy or tie the flies that are working and go fishing. Local shops should always give accurate information because they need your business and want you to return.

I will end this month’s article with two statements said by famous people.

“When a man picks up a fly rod for the first time, he may not know, he has been born again.”

- Joseph D. Farris

“It has always been my private conviction that any man who pits his intelligence against a fish and loses has it coming.” -John Steinbeck

Best Fishes, Dick Galli

The Flyfishing Center

914 N. 1st St. Suite A

Hamilton, Montana 59840

(406) 363-3801

www.ontanaflyfishingcenter.com

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Waldorf Education is coming to the Bitterroot!
“The ideas and intentions which will shape civilization tomorrow must be awakened within children today.”  - Nana Gobel

Waldorf education is a unique form of education from preschool through high school, which is based on the view that the human being is a being of body, emotions, mind, and soul. The central focus for the Waldorf teacher is the development of that essence in every person that is independent of external appearance, by instilling in his/her pupils an understanding of, and appreciation for, their background and place in the world, not primarily as members of any specific nation, ethnic group or race, but as members of humanity and world citizens. The specific methods used in Waldorf schools come from the view that the child develops through a number of basic stages from childhood to adulthood. The Waldorf curriculum is specifically designed to work with the child through these stages of development.

The approach has been termed “the most complete articulation of an evolutionary developmental K-12 curriculum and creative teaching methodology” - Joan Jaeckel, “Sparking Greater Innovation in K-12 Education”, Education Week, March 26, 2008

The Bitterroot School (TBS) was inspired by children and founded by Bitterroot Valley families and community members to support the wisdom behind Waldorf education, which produces creative, well-rounded and thoughtful young men and women, who ultimately are empowered to become better citizens.


Waldorf learning is interdisciplinary, integrates practical, artistic, and intellectual elements, and is coordinated with natural rhythms of everyday life. The Waldorf approach emphasizes the role of the imagination in learning, developing thinking that includes a creative as well as an analytic component. Studies of the education describe its overarching goal as providing young people the basis on which to develop into free, moral and integrated individuals. There are now about 1,000 independent Waldorf schools and 1,400 independent Waldorf kindergartens located in approximately sixty countries throughout the world, making up one of the world’s largest independent educational systems.


Waldorf education was developed by Rudolf Steiner (1861-1925) at the beginning of the 20th century. It is based on Steiner’s broader philosophy and teachings, called anthroposophy (literally, wisdom or knowledge of man).

The Waldorf kindergarten cultivates and works in support of the pre-school child’s deep, inborn natural attitude, belief and trust in and basic reverence for the world as an interesting and good place to live in.

For the Waldorf student, music, dance, and theater, writing, literature, legends and myths are not simply subjects to be read about, ingested and tested. They are experienced. Through these experiences, Waldorf students cultivate a lifelong love of learning as well as the intellectual, emotional, physical and spiritual capacities to be individuals certain of their paths and to be of service to the world.

In the lower grades in elementary school, this leads over to more of an emphasis on using artistic elements in different forms (rhythm, movement, color, form, recitation, song, music), not only as a means of personal self expression, but as a means to learn to understand and relate to the world, building an understanding for different subjects out of what is beautiful in the world in the broadest sense of the word.


And in the upper grades and high school, this leads in steps to an ever more conscious cultivation of an observing, reflecting and experimental scientific attitude to the world, focusing on building an understanding of what is true, based on personal experience, thinking and judgment.

“Education is not the filling of a pail, but the lighting of a fire.”

— William Butler Yeats

Waldorf teachers strive to transform education into an art that educates the whole child—the heart and the hands, as well as the head. They are dedicated to generating an inner enthusiasm for learning within every child. They achieve this in a variety of ways. Even seemingly dry and academic subjects are presented in a pictorial and dynamic manner. This eliminates the need for competitive testing, academic placement, and behavioral rewards to motivate learning. It allows motivation to arise from within and helps engender the capacity for joyful lifelong learning.

Teachers concern themselves with questions such as:

How do we establish within each child his or her own high level of academic excellence?

How do we call forth enthusiasm for learning and work, a healthy self-awareness, interest and concern for fellow human beings, and a respect for the world?

How can we help pupils find meaning in their lives?

Waldorf Facts:

An international study found that Waldorf pupils were more creative than state-school students, as judged by the Torrance Test of Creative Thinking Ability.

An Australian study found that Waldorf-educated adolescents were more oriented towards improving social conditions and had more positive visions of the future than those who attended state schools.

A study comparing the prevalence of xenophobic and right-extremist attitudes in pupils in various types of German schools found far fewer students in Waldorf schools who were intolerant of foreigners (2.8%) than in college-preparatory (8.4%) or other schools (16.4% - 24.7%); similarly strong differences were found in the numbers of right-extremist students (1.2% in Waldorf, 2.1%-9.5% in other schools. Similar results were found in a Swedish study which reported that the proportion of the Waldorf pupils who supported counteracting or stopping Nazism and racism was considerably greater (93%) than that of the pupils at municipal secondary schools (72%).

A study of 6,600 children from five European countries, ages 5 to 13, showed a lower incidence of allergies amongst children attending Waldorf schools, an effect which correlated with the extent to which they lived an “anthroposophic lifestyle” in terms of limited use of antibiotics, antipyretics, and measles, mumps and rubella vaccination. A second Swedish study found the incidence of atopy or allergy-like symptoms in pupils in Waldorf schools to be half (13%) of that in neighboring non-Waldorf schools (25%).

The Bitterroot School (TBS) plans to begin combined Kindergarten/1st grade this September. Tuition is $480 per month for 5 days/week, 9am-1pm, or $360 per month for 3 days/week, 9am-1pm.

This August, TBS/Waldorf Foundation Fund will perform community outreach and fundraising. Please help us reach our startup goal of $50,000. All donations are tax-deductible*.

To Contact Us:

E-mail: TheBitterrootSchool@yahoo.com

Website: www.TheBitterrootSchool.org

Phone: (406) 369-0213 or (406) 381-0145

Write: The Bitterroot School (TBS);

302 N. 1st St.; Hamilton, MT 59840

Donations to TBS/Waldorf Foundation Fund: (406) 369-1888

Other Resources:

Association of Waldorf Schools of North America (AWSNA): (612)870-8310

www.awsna.org

www.whywaldorfworks.org

- Waldorf Early Childhood Association (WECAN): (845)352-1690

www.waldorfearlychildhood.org

“The greatest scientists are artists as well. Imagination is more important than knowledge. Knowledge is limited. Imagination circles the world.”

- Albert Einstein

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Clark Fork Coalition

Climate Change and the Clark Fork River watershed

We hear about it daily: Global warming. Greenhouse effect. Climate change. These terms sound immense, distant, and daunting, as do the headlines of shrinking sea ice at the North Pole, burning forests in the Amazon, and the spread of infectious tropical diseases.

When we consider the complicated global dilemma of climate change, it’s tempting to detach, and retreat into the local landscapes and daily rhythms with which we are more familiar.

But for those of us living in the Clark Fork watershed, even those rhythms are shifting—touched by climate change in starkly visible ways. Drought, intense wildfires, declining snowpack, early runoff, streams closed to fishing: for many of us, these changes are putting a lifetime of patterns out of sync and creating conditions tangibly different from what we cherish about living in western Montana.

They’re also delivering the message that climate change is happening here. It’s happening now. And it may drastically reshape how we experience our hometown rivers—our ribbons of life.

Recognizing that climate change is an international issue, with backyard implications for us all, the Clark Fork Coalition and the National Wildlife Federation teamed up to bring you “Low Flows, Hot Trout.” This plain-language report summarizes decades of data and observations, all of which point to a clear conclusion: the Clark Fork River basin is experiencing a very real shift in climate.

Scrolling through the months and the metrics from the 1950s, we see that March in western Montana is hotter, more precipitation comes as rain, spring snowmelt arrives earlier, extreme wildfires are more frequent, and glaciers are making hastier retreats. And the projections years out show much of the same.

While not all of the associated impacts are bad, for example, we can expect a longer growing season and improved survival of deer and elk over the winter—we will also experience more forest disease, more wildfires, and warmer waters in our trout streams. Some studies have estimated that we could lose between 5 and 30 percent of trout habitat in western Montana over the next century. And with less water stored as snow in the mountains, we can also expect impacts to many sectors of our “snowpack economy,” such as agriculture, recreation and tourism, hydroelectric power generation, and forest and range industries.

What do these key scientific findings mean for our way of life in the Clark Fork watershed?

Low Flows, Hot Trout also takes a look at actions and policies that will protect our celebrated landscape in the face of a warming watershed. This includes mitigating the causes of climate change, such as reducing Montana’s greenhouse gas emissions, and adapting to the changing patterns by using our resources more wisely.

The bottom line is this: plenty can be done and everyone can make a difference, from simple at-home fixes that improve our daily energy and water use to policy changes that encourage resource-friendly development or statewide renewable energy production.

As Low Flows, Hot Trout shows, climate change in the Clark Fork River basin presents a different picture of our tomorrow.

It presents a challenge, as well as an exciting opportunity for Montanans to lead the way in innovative water and wildlife management, generating homegrown fuels like wind and solar power, and creating a restoration economy that benefits our communities and our rivers.

Please join us in taking a look at where we are along the spectrum of a warming West, so we can work together to best illuminate the path toward solutions.

You can download Low Flows, Hot Trout at www.clarkfork.org, or schedule a presentation on the report’s findings by calling the Clark Fork Coalition at 542-0539.

To further spark discussion on what the future holds for the waters that define our landscape, culture, and economy, the Clark Fork Coalition, Western Progress, and the National Wildlife Federation will also convene a Headwaters Summit September 15-17th in Missoula, with a free keynote speech by David James Duncan.

This Summit will bring together advocates and policy makers to re-vision how we use water in the changing climate of the northern Rockies. Visit www.northernheadwaters.org for more information on this upcoming event.

Brianna Randall is the Water Policy Director at the Clark Fork Coalition, a non-profit group working to protect and restore the Clark Fork Watershed.

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